It doesn't, they may as well have just made up a new hero with a different name, completely different universe etc why bother calling it Beowulf?? Because the people in charge of the project were creatively sterile. The people calling the shots on this production have completely missed the reasons why Game of Thrones works. Everything HBO produces is pretty much film quality, from the cinematography to the costumes and sets. Game of Thrones killed off its biggest actor at the END of series 1.
NOT the first episode! You have to give audiences reasons to stay hooked! You need good writing and acting. You need good sets and locations. Beowulf is incredibly lacking in every department, the biggest mistake for me is the casting coupled with the poor writing that takes a great historical legend and turns it into Hollyoaks level Television. When i saw Beowulf in the TV listings, i immediately hoped that a decent drama had been created, based on the historical poem, and produced to a high standard.
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I was quickly disappointed. Although the story is very loosely based on the old English poem about a Scandinavian monster terrorising a Danish King, that is pretty much where the similarity ends. You are very quickly introduced to CGI trolls working a in human village in place of oxen, turning a wheel. It is at this point you realise the slant is farther toward the fantasy realm drama than the historical realm drama.
The sets are OK in parts and in others look like cheap fantasy set pieces. They also seem inconsistent as great halls with cast relief gates in bronze are hardly likely to be the product of a 20 person village. The grandeur of some of the buildings is far out of whack with the population size and any semblance of industry or agriculture.
Casting, and cast diversity - within minutes you are introduced to characters that are obviously Indian Asian, and also Black African.
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There are quite a few characters with diverse ethnic origins. Again, if you were expecting something akin to the fantastic 'Vikings' or even the Stars productions like 'Spartacus' forget it. There is no attempt at historical, cultural, or geographic realism as a backdrop for this show.
A Black male actor appears in Arabic dress who speaks with a solid south England accent. This reality works in both directions, if i were watching a show about the rise of a chieftain in Africa in BC, then i'd hardly expect to see the cast featuring heavily with Chinese and white Australian sounding actors it just drags you out of the show. It's another element that constantly reminds the viewer that there is no historic setting for this and it is little more than a uber low budget Lord of The Rings rip off merged merged with the title Beowulf.
If this show were targeting adults, one has to ask, who watches stuff like this? The script, acting, story seems quite immature.
It does feel more like a teen show, however it is on UK TV in a late evening slot. For this reason i suspect it won't pick up the viewers, and won't make a second season. As a complete fantasy addict who is normally very forgiving, and a lover of early history, I personally had high hopes, but this show is a huge disappointment.
There is nothing wrong with a modern telling of an ancient story for a young audience today. To fill out and even creatively adapt the epic for a 21st century audience would be good if it was done well. This wretched mixed up travesty abuses and soils the name of one of the the original and greatest works in the English literature. It has very little to do with the original Anglo-Saxon epic of Beowulf, rather it is a badly written 21st century quasi-medieval fantasy that steals a few names from the original and begins to tell the audience a utterly different inferior story.
Good grief the whole program is a bad with below average direction, production and acting. The whole cast where wholly unconvincing and Beowulf himself was a very poor version of the super top notch warrior of English literature. And what the hell have they done with Heriot, the great hall was some weird Mayan, tolkienesque, 21st century fantasy temple hybrid, were warriors did not have banquets but mingled at cocktail parties. So many of the costumes and sets appeared to be either bad or borrowed from other fantasy productions.
Was in the London Comic Con audience to listen to the panel and heard Katie Newman the ITV Producer explain how she dreamed up this vague concept related to Beowulf and then handed it to James Dormer to write- and I thought to myself this has a very little chance of being any good. The best thing on screen is the CGI and that's not saying much.
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Thought I would give it another chance but the second episode was even worse than the first, monsters without provenance, wooden acting, a non existent plot and characters that appear to have emerged straight from 'The A Team'. I hoped for so much something as great as 'Vikings,' or 'The Last Kingdom,'but it felt like an episode of Doctor Who i. Then after a lot of irritated huffing and puffing on my part, I realised it has been made for a young audience who would get the most from this ambitious reworking and I expect these it would delight. I can't rate this properly as it wasn't made for me, but if I look back to my earlier tastes in life, am sure I'd have revelled in this show.
The time slot should have given me a clue that it wasn't intended for me and all the gripes I had are answered by it being reworked for it's target audience which doesn't include me. From childhood to 24 I expect I'd have loved this version of Beowulf.
I hope enough of it's target audience find it. Comparison inevitably will be made to The Vikings since these shows walk on the same genre. However, Beowulf is the more casual of the two, using special effect and colorful scenery for broader demographic, a bit like the animation from years earlier only without CG Angelina Jolie. This direction if fine, not all recent works must be brooding and gritty, although Beowulf suffers from erratic shifts in plot as well as a few dubious displays of mythical creatures.
It is noticeable that the story pushes the titular Beowulf into many tribulations from the first steps. Unfortunately, this sets up too many subplots at the same time. Characters are being murdered, betrayed and chased even before any connection could be made to any of them, which presents a couple of strange seemingly rushed developments. It also tries to present some mystery and political struggle, but these aspects lack depth since they have to share the scene with many other angles like childhood memories or shoehorned romance.
Much of the resources evidently went to costume and setting. The attires these characters don are incredibly polished, certainly different yet appreciated fashion from typical medieval series. Its surroundings are fairly gorgeous as well, colorful both in human settlement and natural landscape. If any flaws should come from this eye-catching presentation, it's that the characters look a tad too modern for the era. CG effect is a toss-up, some scenes look terribly crude while few others look very meticulous.
At its best, the display of creature is presentable, having decent features and surprising detail on fur or beastly motion. On the other hand, when it falters, it further weakens the immersion since the human characters already react unconvincingly to inorganic monsters. In this series we follow brides to be who are desperate to get their special day and will stop at nothing to get it.
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